Kenji Tanaka designs residences and cultural spaces across Japan and Europe — buildings shaped by silence, proportion, and the texture of natural light. Fifteen years of practice, forty-two completed works, one quiet philosophy.
A selection of residential and cultural commissions from the past decade. Each begins with a site visit and ends with a building that belongs to its place.
A single-family residence in Kamakura organized around six courtyards, each calibrated to catch light at a different hour. Cedar screens modulate the boundary between interior and garden, dissolving the line between architecture and landscape.
A workshop and gallery for a fourth-generation potter. The building borrows rooflines from neighboring machiya, reinterpreting them in board-formed concrete and reclaimed keyaki wood.
A small public library on the Seto Inland Sea. A single pitched roof rests on laminated beams, framing uninterrupted views of the water. The reading desk runs the full 22-meter length of the room.
An open-air tea house in the Adachi Museum gardens. Four columns, one roof, nothing else.
A 120-square-meter interior renovation that removes every non-structural wall, replacing them with sliding shoji panels on a single grid.
A four-room inn on the art island of Naoshima, built from local stone and oxidized steel that will weather over decades.
"A building should disappear into the life around it. The best architecture is the kind you stop noticing — and never stop feeling."
Every project starts with multiple visits across different seasons. The architecture follows what the land, the light, and the existing context already suggest — never the other way around.
The work relies on the relationship between masses and voids, not applied ornament. A well-proportioned room needs nothing else. This is the oldest idea in Japanese architecture, and it remains sufficient.
Cedar, plaster, stone, and oxidized steel are chosen for how they change over time. A Tanaka building looks better in its tenth year than in its first — the surface records the years.
Schematic designs are drafted in pencil on washi paper. Construction details are developed alongside the carpenters and plasterers who will execute them, on site, in real time.
Selected honors and publications from institutions in Japan, Europe, and North America.
Tanaka Studio accepts a limited number of commissions each year — typically two to three new projects. If you have a site and the patience to let it guide the design, write to us.